![]() REVISITING BILL BOYANG
Recently I have been spending some time reading a variety of old books of Australiana. It is amazing the sort of books one can find in second-hand book shops and at market stalls and I confess I spend hours trawling such places in the hope of finding something of interest if not of intrigue. The moment I do see anything remotely interesting, if only in the title, I snap it up and horde it for ages, until such time as I have the chance to pore over it. Of course, eventually I do get to read whatever the book is and more often than not I am not disappointed. In fact, there have been a few books, over the years, which have given me a lot of enjoyment as well as a wealth of information and ideas. Some have even been the genesis of a radio program or two.
It is the little things that one notices most. Sometimes, it is just a line in a poem or a sentence in a book. On other occasions it might just be the music arrangement that I had never quite noticed before or the song that I always meant to play but never did, perhaps because for some reason or other it didn't quite fit the show. Similarly, I find I am now actually reading books for the interest and the detail rather than searching for a quotation of a passage or text. It is a bit like the folk process, the idea of sharing and passing on to others, except this time round, it is me who is doing the absorbing of the knowledge and experience, just as I used to years ago. It is for this reason that I have gone back to look at the work of Alexander Vennard, otherwise known as Bill Bowyang. In the first place, Vennard was not a collector, just a lover of times gone by and the old ways and yet he was to become a significant contributor to Australia's ballad heritage.
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